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“I tend to get up and walk all over the stage while I'm directing.
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“Personally, it's always a challenge for me to verbally articulate what I'm imagining and feeling,” she said. I'm so proud of my actors for approaching each of their many roles, even the tiny ones, with precision, sensitivity and authenticity.”Īmong the biggest challenges in presenting this play is that Blossom conducted rehearsals remotely via zoom. “I think gender rarely has anything to do with the heart of a story, so ‘traditional’ casting didn't matter to me at all. “That's just the way things turned out in auditions,” she said. She added that it was “purely coincidental” that it’s an all-male cast. For example, we have a record player on stage for times when the script calls for music, and we have instruments that create rain and thunder and other noises.”Īdding to the directing theme, actors will be dressed in 1940s-style clothing with costume pieces that they take on and off while on stage.īlossom cast only six actors to play the nearly 25 different characters, meaning students will portray between four and five characters each, with the exception of the main character of Stuart. “Because it's a play within a play, every sound you hear is being made by these 1940s storytellers. “We all had so much fun collaborating,” she said. So, essentially, it's a play within a play.”īlossom wanted the students to “think outside the box” and experiment with different objects to create the sound effects. “My overall concept for this production is that a group of actors in the 1940s come into a studio space in New York City and start using all the foley objects they can find to tell us – the audience – this story about a mouse named Stuart Little. “The audience will not only be able to hear the sound effects, but also see live exactly how the sounds are being made by the actors,” she said. But Blossom directs SFA actors do both of these jobs simultaneously. Historically, actors in radio plays would speak their lines into a microphone while a person in the foley booth made all of the sound effects. “Men On Boats” by Jaclyn Backhaus is also featured.Īccording to Blossom, radio plays were popular in the 1920s to 1950s, and the novel “Stuart Little” was written by White in 1940, “so it made perfect sense for me to set our production in the 1940s and deliver it to the audience as an old fashioned radio play.” The play is one of two featured in this year’s SummerStage Festival presented June 22 through July 9 in Kennedy Auditorium on the SFA campus. “Stuart Little” will be presented in the style of a 1940s radio play with student actors not only delivering their characters’ lines but also creating their own sound effects live on stage. White and adapted by Joseph Robinette about the endearing mouse named Stuart Little who is born into an ordinary New York family. Austin State University School of Theatre, describes the SummerStage Festival presentation of the children’s favorite “Stuart Little,” a play based on the popular book by E.B. That’s how Kristen Blossom, adjunct instructor in the Stephen F. NACOGDOCHES, Texas – It’s a play within a play.